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It is thought to stem from the defunct burlesque theaters on 42nd Street, New York, where "bump n' grind" dancing and striptease used to be on the bill.In the 1960s these theaters were put to new use as venues for exploitation films, a trend that continued strongly throughout the 1970s in New York City and other urban centers, mainly in North America, but began a long decline during the 1980s with the advent of home video.The audiences of art and exploitation film are both considered to have tastes that reject the mainstream Hollywood offerings.

Many of them were violent action films that some called "drive-in" films.The film Sex Madness (1938) portrayed the dangers of venereal disease from premarital sex.Mom and Dad, a 1945 film about pregnancy and childbirth, was promoted in lurid terms. (1949) combined the themes of drug use and promiscuous sex.Titillating material and artistic content often coexist, as demonstrated by the fact that art films that failed to pass the Hays Code were often shown in the same grindhouses as exploitation films.Exploitation films share the fearlessness of acclaimed transgressive European directors such as Derek Jarman, Luis Buñuel, and Jean-Luc Godard in handling "disreputable" content.

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