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Always a sucker for a bit of Yakety Sax (or yakety axe), I Got Em Too is a favoured romp.However, other pieces appear little more than excuse for playful song titles as evidenced by Cozy With Rosy and Zing Zong Song, which initially borrows from theme, before sliding into Los Straitjackets territory. None of which diminishes the obvious skill and artistry Breit possesses, nor the encompassing appeal of this recording. Earl has worked with his band The Broadcasters for almost 30 years. This album is dedicated to the memory of long-time Broadcaster bass player Jim Mouradian.Whether working in conjunction with pals including Harry Manx (three albums) and The Sisters Euclid (five albums), on his own (seven and more releases), or as a sideman, Breit always brings something engaging and frankly unique to his recorded appearances.Blues, jazz, roots, and folk, Breit has demonstrated he can turn his hands and ears to every type of music.Produced by Swedish blues guitar player Staffan Astner, Afternoon in Paris promises the right mix of groovy blues and soulful jazz (with a touch of Swedish folk melody) and shows Yana Bibbs musical range, influence and depth. Whilst wrote Blues fans would be wise not to overlook.

Blasting out the set in ten days, Breit called upon friends to provide select overdubs, but what we have here is essentially Breit concocting his own experiments in vintage sounds much like Neil Young once did (in a different vein) with the Shocking Pinks. While one digs (and really, no other word is as appropriate) what Breit has done with this recording, after four or five songs it tends to blend into one extended jam of righteous coolness.The result is a fascinating mix of daring, and fullbodied new compositions and fresh-sounding standards that followers have long savoured at their live shows.Speaking of 'blues shocks,' it hardly seems possible that Billy Branch - once touted as one of the 'new generation' of blues musicians - is verging on elder statesman status in the blues community.These newly remastered recordings chosen from three long out of print albums dating from 1992 to 1998 represent one of the most creative periods of his illustrious career.Rod Piazza and the Mighty Flyers have long been regarded as one of the best and most entertaining blues bands around.

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